launch of a major new cultural support body, the Thailand Creative Culture Agency, with a budget of THB7 billion ($200 million) and a remit that stretches from film and TV to Muay Thai boxing and cuisine.
Unsurprisingly, given the multiple jostling interests, this was not expected to come into being until 2025. But Shinawatra was set as the head of a subcommittee, reporting directly to the previous prime minister, that was empowered to fast-track reforms to the feature film and long-form documentary sectors.
Expected changes included a reduction in the burden of censorship, the creation of a body that facilitates location shooting and permits, as well as larger and more meaningful rebate program for inbound productions and funding to grow the local industry.
Thailand’s existing rebate program offers a 15% rebate, with a further 5% bonus for projects that use large local components, but it has previously been capped at $2.25 million.
Despite that low subsidy ceiling, Thailand has recently attracted inbound productions including the “Alien” series, Season 3 of “The White Lotus” and parts of the latest “Jurassic World 4” movie.
The growing popularity of the “Boys Love” or “BL” genre of TV series and the recent regional success of hit film “How to Make Millions Before Grandma Dies” also mean that Thai-produced entertainment is enjoying a moment of positive momentum.
Still, Shinawatra will have to be careful not to irk the establishment. Her father is back in Thailand after more than a decade of fugitive exile and has been treated leniently so far. But he risks being indicted in a royal insult case and is, in effect, a political hostage who ensures that the new PM won’t do anything too radical.
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